Rajkummar Rao is a versatile actor who has often carried films on his capable shoulders, but Vicky Vidya Ka Woh Wala Video proves that even he can't salvage a film bogged down by a lacklustre script. Despite a promising start, the film falters in its second half, leaving viewers disappointed with its unfulfilled potential.
Vicky, portrayed by Rajkummar Rao, is a quick-witted mehendi artist who aspires to marry Vidya, portrayed by Triptii Dimri, an MBBS graduate. When they do, they decide to go on their own honeymoon to Goa instead of accepting their family's present of a vacation to Vaishno Devi. Vicky gets a newspaper clipping that says that American couples who document their intercourse are happier in their marriages. He persuades Vidya to follow as well. Everything is good until the very next day, when their TV system—along with their sex tape—is stolen and their house is broken into. A parallel plot involves Vicky's sister Chanda (played by Mallika Sherawat) and Vijay Raaz, the investigating officer in the robbery case.
The film kicks off on a high note. The chemistry between the leads is charming, and the sharp, witty dialogues give the first half an engaging pace. Rajkummar Rao, as always, brings his A-game, portraying Vicky’s mix of naivety and wit with ease. Tripti Dimri adds her own spark. Director Raaj Shaandilya sets the tone well, balancing humor with an undercurrent of tension about the viral video’s consequences.
Unfortunately, the second half of the film is where things go south. The plot, which initially held so much promise, meanders into a series of over-the-top twists and contrived drama. The light-heartedness of the first hour gives way to unnecessary melodrama and forced humor, diluting the impact of the social message the movie tries to deliver.
Vicky Vidya Ka Woh Wala Video had the potential to be a sharp, witty commentary on the viral culture of today’s social media world. Unfortunately, the film’s strong start is undone by a convoluted and weak script that loses focus in the second half. Despite Rajkummar Rao’s best efforts, the film ends up being a disappointment. It’s a prime example of how a great actor and an interesting premise aren’t enough to save a movie from poor writing and execution.
